INVISIBLE ANATOMY / Mai Sólorzano / Art

MANIFIESTO

My commitment with artistic creation consists of observing the world, nature and myself, finding small details and highlighting them, reflecting and presenting ideas through the production itself. I work with different materials, modifying and transforming them until they acquire meaning, strength and sentimental charge; until they manage to communicate what I mean to say. I think that a work should be a friendly object, which we make an accomplice, that expresses us or questions us with its mere presence.

INVISIBLE ANATOMY

"Invisible Anatomy" collection was created during an extreme climate change context caused by actions of man on our planet. It was born specifically as s response to recent fires, intentionally caused at the beginning and subsequently barley controlled in the Amazon, Africa and Siberia. It emerges as a reflection of this current situation in Mai Solorzano´s own invisible anatomy.

"Anatomy of a sight and 500 tears" ,

"Anatomy for a hope (break if necessary)"

"Container of hope". Its a series of three different organic shaped necklaces. Each one including a carved piece of wood from which they took their shape during their making; the "soul". With our soul in our hands we may notice that its made of natural materials.. just as we are.

Statement

My commitment with artistic creation consist of observing the world, finding small details and highlighting them, reflecting and approaching ideas through production itself. I working with different materials, modifying and transforming them until they acquires meaning, strength and sentimental charge. I think a work of art should be a friendly object, to which we become an accomplice, that express or question us whit its mere presence.

Mi compromiso con la creación artística consiste en observar el mundo, la naturaleza y a mi misma, en encontrar pequeños detalles y resaltarlos, en la reflexión y el planteamiento de ideas mediante la producción misma. Trabajo con diferentes materiales modificándolos y transformándolos hasta que adquieren sentido, fuerza y carga sentimental; hasta que logran comunicar eso que quiero decir. Pienso que una obra debe ser un objeto amigo, al que hacemos cómplice, que nos expresa o nos cuestiona con su mera presencia.

MANIFIESTO

INVISIBLE ANATOMY

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